Have you ever been to a paint night? What did you paint? Was it a learning experience, or were you just given some paints and told: “here ya go.”
This past year I was privileged to host two paint nights. For the first one, I did a slide show. I showed perspective, a value study, and a possible finished project. I got feedback later: “I wanted more instruction.”
So when I had the opportunity to host a paint night for a smaller crowd recently, I decided to teach people one on one or in small groups. I publicized the paint night with a poster; I painted the Tsfat or Safed scene that I photographed years ago as a border. The materials given out were acrylic paints, not the sort of paints I have used much. I handed out pencils and some paper, and I showed the participants how to divide up the page into parts, so what they thought was a difficult subject became easier to handle. I pointed out the natural mountains at the top of the scene and the architectural, man-made elements below. Some chose to just paint the mountains. A few tackled the whole scene and did both. Others just played with the paints and chatted with their friends.
This was my first attempt at a border for advertising the paint night. I made the white too small.
So I painted again, and this one became the border for the details of the paint night.
At the top of this post is a watercolor that I painted from the Tsfat or Safed scene that I chose as the subject for the paint night. Since there has been a lot of upsetting news coming from Israel lately, we went with an Israeli theme for the paint night.
Due to the disheartening news, I decided to post a subject that was Israeli but warmer in nature. I revisited a photograph that I had taken years ago of Yemin Moshe, an old, elegant neighborhood outside of the Old City of Jerusalem. I did an interpretation in gouache:
Getting back to posters, I have been publicizing a series of talks by our local rabbi. Each one is a “parshat hashavua” or Torah portion of the week. For each poster I read the Torah portion well in advance and look for visual ideas that I can put in a poster. In the Torah portion of Hayei Sarah, Rebecca feeds not only Eliezer but also his camels. Camels! I took out children’s books about camels from the library, and I had fun drawing and painting a few camel scenes.
Back to paint night: I have two ideas for upcoming ones:
Teach how to mix a palette of hue, tint, shade (color, lighter version of that color, darker version of color). Start with a blue, red, and a yellow (primary colors).
Only black: only allow black for the first half an hour. Then they get treated to pink, turquoise, and lavender/purple.
The inspiration for the only black paint night was a participant wanted some black paint. I had left out the black paint on purpose, so students would mix their own darks. It got me thinking: how could we make good use of black? Using only black would force the students to think about darks and lights. Am I being too strict?
I painted the bouquet of flowers (note the purple irises and the mask) that I bought from Roberts Florals in Highland Park, New Jersey on Purim. My guests enjoyed the bouquet along with the meal. I am relatively pleased with the result of the painting.
My current ultimate goal is to get better at painting portraits. I am confident in my flower painting abilities. I could improve in details, but I do not strive to be a realistic floral artist. One reason I chose to paint the bouquet is it was a good warm up to painting after Shabbat and after a week of little painting in general.
Why I failed miserably at 100 people week
Early in March there was a competition to draw or paint 100 people in a week. My start was delayed by Purim; I had lots of preparations to do for the holiday, and guests showed up to entertain us at our seudah (festive meal). Finally, I went out one day with my sketchpad and doodled quite a few people. I did not care much for the result, so it is not getting posted here. Then I ran out of time to go outside and look for people. So I went up to my attic late one night, and I took down several photos of people that I found inspirational.
How 100 people week Inspired Portraiture Adventures
One of the photos that I found was one of my sons showing a dandelion to a chicken. I did one quick sketch; the proportions of the head were off. I started another. I continued painting into the night, and I am please with the result: gouache media, lots of strokes and movement. I like how the light falls on the figures and the variety of hues established.
Here is another portrait that I did, from an old black and white photo of a relative eating soup. This portrait is also done with gouache. Maybe I will do another version in the future with more attention to the background.
More Flowers to Show
Whenever I go shopping with a certain friend, I am done long before she is. No problem! Each store seems to have a section of flowers. So I put my paid groceries in the car, and I return to draw with a Uniball pen whatever strikes me in the store. Often, the flowers stand out. Here are a few of my favorites:
This one was painted after another one that had the brand name of a large chain store got rejected from an online shop that sells artists’ goods. Lesson learned: buy local flowers. Advertise local stores. No need to ruffle the feathers of any large chain stores.
I often like painting a palette of colors near my watercolors. This palette compliments the flowers nicely, organic flowers shapes near geometric squares.
More on Painting Flowers
I am reading Painting Flowers in Watercolor with Charles Reid, a classic in the watercolor book world. Two ideas that I look forward to incorporating in future watercolor floral sketches or paintings:
1) Pay attention to negative shapes that the flowers make almost as much as to the flowers themselves. Do not overwork the details. Paint the background along with painting the flowers. The background should not be an after thought.
2) When painting the background, don’t do one solid expanse of one color. Do a variety of color in a mix that compliments whatever flowers one is painting.
Charles Reid uses a lot of cadmiums in his palette (Cadmium Yellow, Cadmium Orange). I will substitute colors in my palette, probably Hansa Yellow (light, medium, or dark) and New Gamboge. One exercise is to paint daffodils. Another is techniques for white flowers. Daffodils and magnolias are in bloom now. Hopefully, I will be able to experiment with his ideas.
It is now the Jewish month of Nissan. In Nissan we celebrate freedom on Passover. We are also commanded to say blessing on a fruit tree when it shows its first blossoms. I will be looking around my neighborhood for all kinds of blossoms for blessings and for sketches.
I succeeded in making illustrations for each of the parshiot (section of Torah read in the synagogue each week) of Breishit (Genesis) this past fall. However, only a few illustrations became blog posts.
I had a great time redoing an illustration for Parshat Vayeshev, the parsha that has Joseph’s dreams along with the dreams of the butler/cupbearer and of the baker.
“I have had another dream: And this time, the sun, the moon, and eleven stars were bowing down to me.” — Genesis 37:9
On the vine were three branches. It had barely budded, when out came its blossoms and its clusters ripened into grapes. — Genesis 40:10
In the uppermost basket were all kinds of food for Pharaoh that a baker prepares; and the birds were eating it out of the basket above my head.” — Genesis 40:17
The stripes of Joseph’s coat, not part of a dream but part of the parsha, felt like I was painting a roller coaster.
Jacob’s Ladder, a work on paper done in gouache, is one of my favorites. In creating the painting Jacob’s Ladder, story found in Parshat Vayeitze, I looked at Renaissance and more recent paintings for inspiration. The man lying down was actually inspired by a relative napping on a couch. He made a convenient model for the painting.
He had a dream; a stairway was set on the ground and its top reached to the sky, and angels of God were going up and down on it. — Genesis 28:12-13
I set up a store so I can sell reproductions of my art work. There are two options: for those who want fine art productions they can hang proudly in their homes, I am offering prints of painting such as Jacob’s Ladder and Joseph’s Dreams for limited times with limited prints. One will need to contact me directly to get a fine print. For those who like mugs or tote bags with Highland Park illustrations, visit the online shop (click on any image to get to more products). Buy as many of those as you want!
Detail of Parshat Vayeshev Painting 2007
With a name like stars and stripes in the title of this post, perhaps you were expecting something else? What do you see in this painting? It is a detail of the invitation we used for my older son’s bar-mitzvah in 2007.
If you don’t know the story (or can only guess the stripes), here’s a link to the parsha.
Here’s my carrot watercolor. I used both watercolor and gouache.
Carrots are traditionally eaten on Rosh Hashana, and a “yehi ratzon” is said on the carrots: “Yehi ratzon milfanecha she-yikara roa gezar dinneinu, v’yikaru lfaneacha zakiyoteinu” “May it be God’s will that the evil decrees against us be torn up and our
good merits be read out before You”.
The play on words here is the Hebrew word ‘gezer’, which sounds like gezairah, the Hebrew word for “decree.”
The same “yehi ratzon” will show up again for squash, as the Hebrew for squash is kra, which sounds a bit like the Hebrew for “tear up.”
I discovered that some display carrots in slices to resemble coins, as we hope for prosperity in the new year. You can read more about the history of these food symbols from the Rebbetzin’s Husband.
A traditional dish made with carrots that one might eat on Rosh Hashana is tzimmes. Some recipes (I haven’t tried these, no endorsements here):
I prefer mine plain (naturally sweet!) and raw. The tsimmes salad sounds best to me, though it seems a stretch to call that recipe ‘tsimmes’.
Finally, a request to all pomegranate lovers: if you find a link to a pomegranate photo that you like, please leave the link in a comment. I’m going to have to work from photos in order to paint a pomegranate.
