In the winter there is less opportunity to paint or draw on site. I use the time as an opportunity to improve paint technique and use photos or drawings of masters to inspire my artwork. I continue to work on a parsha (Torah portion) image each week. Lately, a few of my favorites have been birds or animals. Also, I joined a group on Facebook which offers prompts for each day. Not every prompt inspires me to paint or draw. But several have, and some of the better ones I will post on my blog or on the art database.
I do not have any pets currently; however, we do have a bird feeder outside our kitchen window. One of the prompts was bird on a wire. I like the idea of drawing directly from nature, but birds are too fast! It is hard to photograph them; you can see some of my past cardinal photos on this blog.
I painted this flaming red male cardinal from one of my photos when the prompt was Bird on a Wire.
I drew and painted (watercolor, ink, and Derwent Inktense colored pencil on paper) this lady cardinal at a bird feeder in honor of parshat Beshalach, when there is a custom to feed the birds.
The next week was Parshat Yitro with the quote: And I bore you on eagles’ wings (Exodus 19:4). One eagle is just watercolor on the white of the paper.
I also did an eagle with an orangey-red background. It came so orange that one friend thought the background was fire. She interpreted it as Israel on fire, and the eagle (perhaps God?) comes to our rescue.
There was a prompt for fish. I painted the trout we had for dinner. Yes, that is all watercolor.
I will conclude with this pencil drawing of a wolf (copy of a drawing by Victor Ambrus), executed for parshat Vayechi 49:7.
Benjamin is a ravenous wolf;
In the morning he consumes the foe,
And in the evening he divides the spoil.”
בִּנְיָמִין֙ זְאֵ֣ב יִטְרָ֔ף בַּבֹּ֖קֶר יֹ֣אכַל עַ֑ד וְלָעֶ֖רֶב יְחַלֵּ֥ק שָׁלָֽל׃
I succeeded in making illustrations for each of the parshiot (section of Torah read in the synagogue each week) of Breishit (Genesis) this past fall. However, only a few illustrations became blog posts.
I had a great time redoing an illustration for Parshat Vayeshev, the parsha that has Joseph’s dreams along with the dreams of the butler/cupbearer and of the baker.
“I have had another dream: And this time, the sun, the moon, and eleven stars were bowing down to me.” — Genesis 37:9
On the vine were three branches. It had barely budded, when out came its blossoms and its clusters ripened into grapes. — Genesis 40:10
In the uppermost basket were all kinds of food for Pharaoh that a baker prepares; and the birds were eating it out of the basket above my head.” — Genesis 40:17
The stripes of Joseph’s coat, not part of a dream but part of the parsha, felt like I was painting a roller coaster.
Jacob’s Ladder, a work on paper done in gouache, is one of my favorites. In creating the painting Jacob’s Ladder, story found in Parshat Vayeitze, I looked at Renaissance and more recent paintings for inspiration. The man lying down was actually inspired by a relative napping on a couch. He made a convenient model for the painting.
He had a dream; a stairway was set on the ground and its top reached to the sky, and angels of God were going up and down on it. — Genesis 28:12-13
I set up a store so I can sell reproductions of my art work. There are two options: for those who want fine art productions they can hang proudly in their homes, I am offering prints of painting such as Jacob’s Ladder and Joseph’s Dreams for limited times with limited prints. One will need to contact me directly to get a fine print. For those who like mugs or tote bags with Highland Park illustrations, visit the online shop (click on any image to get to more products). Buy as many of those as you want!
One of my problems with blogging is coming up with text. When I used to use SEO tools (search engine optimization), they would say “you need 500 words or so to be” blah blah blah, something about meriting a golden spot in some grandstanding search engine. Well, if words are needed, here are some words.
A new year begins … we ended the fall holidays of Rosh Hashana, Yom Kippur, Sukkot, Shemini Atzeret, and Simhat Torah. The Jewish year of 5783 has begun. I am hoping to do a little more blogging this fall … Learn How to Ferment (or whatever I will choose to name the post) is almost for publishing. Other blog ideas: How to See In Order to Draw Better. Highland Park Synagogues in Watercolor or Gouache. Highland Park Restaurants. Local Park Scenes. Not all of these will make it to production … but maybe one or two will.
Each week I aim to make an illustration for the parsha (portion of the Torah read in the synagogue on a weekly basis). For Breishit, the first parsha of the year I depicted (Genesis 2:20):
And Adam gave names to all the cattle and to the birds of the sky and to all the wild beasts;
Why did I choose the pasuk (sentence) about Adam naming the animals? I just liked the idea Adam gave out names. It was opportunity to draw an elephant. Except the elephant did not make it into the finished illustration. Lion is King of the Forest. So Lion is on top. Eagle is a majestic bird, so it got the bird spot. And bulldogs are cute.
After Breishit, the parsha is Noah. I get a little help each week from Rabbi Avigdor Bonchek, author of the What’s Bothering Rashi series.
I chose to illustrate the dove in the story of Noah because of a Rashi about this pasuk (sentence) (Genesis 8:8):
Then he sent out the dove to see whether the waters had decreased from the surface of the ground.
Who was supposed to see if the waters had subsided? Noah or the dove? It was Noah. If the dove did not come back, then there was land for the dove. If she found a resting place, the yonah (dove) would not return.
Before the dove, Noah sent out a raven. Maybe next year I will paint a raven.
What is the motivation to choose a subject to paint? Why pick one object over another? Why would someone paint a particular person? I think the answer to all of these questions is emotional attachment. If you feel good or expect good feelings from painting a chosen object or person, you are more likely to enjoy the painting process and not feel like it is a task.
Why did I enjoy painting this wine bottle? I liked the looseness that I applied to the bottle. I also had fun with the patterned fabric underneath it.
A few weeks later, I painted these books on the same patterned fabric. It was in response to the theme of PATTERNS, an instagram challenge. I was able to pay careful attention to the details in part because I knew people on Instagram would be looking at the painting. I have emotional attachment to the fabric, as it was a purchase by my mother z”l.
The book of Illustrated Tehillim was given to me by my mother-in-law, as she knew I was looking for pictures of tehillim. Lamentations, the English name for the megillah of Eicha, is a book I am reading by Yael Ziegler, a wonderful speaker who I have met in person. Read it if you want a detailed, scholarly, and poetic approach to reading Eicha. I did this painting right after Tisha B’Av, the week we read parshat Nachamu, about comfort (Isaiah 40:1):
נַחֲמ֥וּ נַחֲמ֖וּ עַמִּ֑י יֹאמַ֖ר אֱלֹֽהֵיכֶֽם׃
Comfort, oh comfort My people,
Says your God.
Those books rest under Devarim, the parshiot we are reading now at this time of the summer.
The passages describing colors of the Mishkan inspired me to do some drapery studies. Years ago, when I was in art school, I remember learning to do triangles of color. Put together a palette of a dark red, a medium red, and a light red. And do triangles.
When you read passages from the Torah in translation, you are often not reading exactly what the text intended. Not that we know for sure what the text intended.
In parshat Veyakhel and in parshat Pekudai (those two often go together, but this year we have a leap year — yay, two months of Adar! Lots of opportunity for joy) colors are mentioned among the items that people brought to help build the Mishkan, the holy structure for worship. The Hebrew is “techelet, argaman, and tola’at shani” (Exodus 35:6):
וּתְכֵלֶת וְאַרְגָּמָן וְתוֹלַעַת שָׁנִי
Tola’at Sheni seems to be some kind of red. I saw translations as scarlet or crimson. I saw tabernacle photos with worm-like creatures that were coral. Tola’at does seem to be a worm of sorts.
Techelet is some kind of blue. The Stone Chumash, published by Art Scroll, translates techelet as turquoise. Here is my turquoise version:
Robert Alter in his Bible translation uses indigo. Jewish Publication Society went with the safe translation: blue. The painting at the top of this post is my “blue” version.
Argaman is loosely translated as purple. However, one friend thought argaman should have a tint of red, as in burgundy or bordeaux. Or maybe violet. So here is yet a third version:
I created the burgundy by loading the top painting with blue in my Linux laptop. There I used GIMP, a free and open software package, to change the hue of the purple to burgundy.
Watercolor of Judean desert with 1905 John Singer Sargent watercolor painting as the teaching guide
As an adult who wants to learn, one needs to be creative in finding good teachers. One way that I learn new art techniques is by copying master painters. This past week I wanted to paint a desert painting, so I turned to a reproduction of a 1905 John Singer Sargent watercolor of the Judean Desert.
Why a desert? Last week the Torah portion was Yitro (Jethro, father-in-law of Moses), and the people of Israel were wandering around in the desert. So I decided to copy the John Singer Sargent painting of a desert (not the Sinai but one near Jerusalem where some of our friends live, near Jericho).
In the third month after the children of Israel were gone forth out of the land of Egypt, the same day came they into the wilderness of Sinai. And when they were departed from Rephidim, and were come to the wilderness of Sinai, they encamped in the wilderness; and there Israel encamped before the mount. Exodus 19:1-2
We learn in parshat Yitro that Yitro was the teacher of Moshe. Moshe was settling disputes on his own, without any help. Yitro saw that this was not an efficient method of the leading the people. He suggested Moshe appoint leaders to handle many of these issues. We learn that we should not take upon all the problems of society on our own. Instead we should find others to help us.
I am thankful to my husband and to my rabbi for teaching me Torah. This coming week is parshat Mishpatim (laws). I skimmed the parsha and found many work or farm animals are used as examples to teach about disputes between people. For example, here is my illustration of an ox falling into a pit that a person has negligently left open. There is more of the week to study the parsha: looking forward to what else I will learn.
Parshat Shemot: Batya, Miriam, and Baby Moshe
The people of Israel are down in Egypt. A new Pharaoh comes along. He tells the midwives to kill the baby boys. Yocheved puts her baby son in a tevah in the river. Miriam watches from a distance. The daughter of Pharaoh, Batya, comes along to take care of the baby. Batya gets Yocheved to nurse the baby.
What is the importance of water?
Water is the reason Egypt is a super power: they have the Nile. Israel needs rain, creating a situation in which we need to rely on God. We need to pray for rain. This helps one build a relationship with God. Learn more from Rabbi Leibtag.
Noah vs. Moshe
What are the parallels to Noah? Both saved by a tevah. Both have forty days and forty nights. When Gods tells Noah he’s going to continue the world through him, Noah responds: OK, sure. Moshe, however, says “No.” If you destroy the people of Israel, then erase me from your book.
According to Rabbi Levi Yitzchak of Berdichev, Moshe repairs the flaw of Noah. Rabbi Levi Yitzchak of Berdichev teaches “Moshe is the tikkun (repair) for the soul of Noah” (Keddushat Levi, Noach). This idea is based on the Ari z”l in Sha’ar Hagilgulim who says that Moshe is a gilgul, a reincarnation of Noah.
Noah is told to build a tevah: “Make yourself an ark – tevah” (Bereishit 6:14).
Moshe is saved in a tevah: “She took a papyrus box – tevah.”
Noah is saved from the great waters of the flood.
Moshe’s name means to be drawn from the water: “Because from the water he was drawn” (Shemot 2:10). In a sense, both Noah and Moshe are “drawn from the water”.
Of Noah during the flood: “It would continue to rain on the earth for forty days and forty nights” (Bereishit 7:12).
Of Moshe: “Moshe remained there with God for 40 days and 40 nights” (Shemot 34:28).
Noah does not respond nor plead on behalf of his generation, but merely carries out God’s command. “And Noah did all that God had commanded him” (Bereishit 6:22).
Moshe displays care and sympathy. We are familiar with these characteristics from Parshat Shemot when we learn that Moshe cannot sit by idly by when witnessing the suffering of others. He slays the Egyptian and saves Yitro’s daughters.
The tikkun of Noah is that Moshe is willing to suffer annihilation rather then continue without Bnei Yisrael. In complete empathy and identification with Bnei Yisrael, he ties his fate to theirs by intentionally sinning by breaking the tablets.
Source: Batya Hefter, Parshat Hashavua, Shemot, Nov 19, 2016
Moshe and the Nile
וַיֹּאמֶר יְהוָה אֶל-מֹשֶׁה, אֱמֹר אֶל-אַהֲרֹן קַח מַטְּךָ וּנְטֵה-יָדְךָ עַל-מֵימֵי מִצְרַיִם עַל-נַהֲרֹתָם עַל-יְאֹרֵיהֶם וְעַל-אַגְמֵיהֶם
(שְׁמוֹת 7:19)
Rashi explains that Moshe was saved by the Nile, so Aharon instead does the hitting of the water for the plague of dam – blood. Importance of being grateful – even to an inanimate object like a river.
More Artwork!
For those who come for the artwork, here is a pen and ink version of Miriam, Batya, and Moshe:
Lavan, Yaakov, Leah or Rachel
My daughter and her friend worked very hard on this diorama for her school’s Torah Fair. It’s sort of like a science fair, explained my husband, except the subject matter was all from the book of Breishit. My daughter’s project depicted the wedding of Yaakov and Leah. Or was it Yaakov and Rachel? In any case, for those of you who don’t know the story, Yaakov first had to work seven years to marry Leah. He thought he was marrying Rachel, but Lavan, Leah and Rachel’s father, tricked him into marrying Leah. After seven more years, he got to marry Rachel. Poor Leah – I once did a painting of Leah crying.
In other news, my eldest son graduated from high school, which emotionally is charged for me – how could my first baby be a high school graduate? We discussed in the car on the way home what is the meaning of “real life” – does being a high school graduate mean one has entered the real world? According to my niece who just finished her first year of college, college is not real life.
Last week I saw this brown mourning dove wander about in my yard.
Soon after he noticed that I was following him (her?) around with my camera, he settled on this high phone wire in the back of my yard.
Oh, by the way, did you know that Noah sent out a dove: “And he sent forth a dove from him, to see if the waters were abated from off the face of the ground.” But before the dove, he sent out a raven. I didn’t have any ravens showing up in my back yard.
My neighbor’s burning bush is quite spectacular – bright red at this time of year. Ah, another Biblical reference, except the burning bush doesn’t show up in the weekly Torah reading until winter time.
Here’s the how the dry oak leaf hydrangea flower looks – this photo was taken the same day as the red hydrangea leaf photos.
Note that this post is not called The Diamond in the Window (book by Jane Langton). It’s a post about Noah, who was considered a righteous man in his generation.
So here’s the question: was Noah a righteous individual who might have not been so great in a different generation or was a shining light unto all the generations? And why is he looking at this diamond?
Or maybe he’s really looking out the window:
For the answer to these and other tantalizing questions, you will have to visit my friend’s Harry’s post Noach – Is righteousness relative?
The illustrations of Noah with diamond and window were executed by me (with some critical helpful feedback from my daughter) with pen, ink, and then a lot of playing in Photoshop. The aim was whimsical and playful.
