I painted the bouquet of flowers (note the purple irises and the mask) that I bought from Roberts Florals in Highland Park, New Jersey on Purim. My guests enjoyed the bouquet along with the meal. I am relatively pleased with the result of the painting.
My current ultimate goal is to get better at painting portraits. I am confident in my flower painting abilities. I could improve in details, but I do not strive to be a realistic floral artist. One reason I chose to paint the bouquet is it was a good warm up to painting after Shabbat and after a week of little painting in general.
Why I failed miserably at 100 people week
Early in March there was a competition to draw or paint 100 people in a week. My start was delayed by Purim; I had lots of preparations to do for the holiday, and guests showed up to entertain us at our seudah (festive meal). Finally, I went out one day with my sketchpad and doodled quite a few people. I did not care much for the result, so it is not getting posted here. Then I ran out of time to go outside and look for people. So I went up to my attic late one night, and I took down several photos of people that I found inspirational.
How 100 people week Inspired Portraiture Adventures
One of the photos that I found was one of my sons showing a dandelion to a chicken. I did one quick sketch; the proportions of the head were off. I started another. I continued painting into the night, and I am please with the result: gouache media, lots of strokes and movement. I like how the light falls on the figures and the variety of hues established.
Here is another portrait that I did, from an old black and white photo of a relative eating soup. This portrait is also done with gouache. Maybe I will do another version in the future with more attention to the background.
More Flowers to Show
Whenever I go shopping with a certain friend, I am done long before she is. No problem! Each store seems to have a section of flowers. So I put my paid groceries in the car, and I return to draw with a Uniball pen whatever strikes me in the store. Often, the flowers stand out. Here are a few of my favorites:
This one was painted after another one that had the brand name of a large chain store got rejected from an online shop that sells artists’ goods. Lesson learned: buy local flowers. Advertise local stores. No need to ruffle the feathers of any large chain stores.
I often like painting a palette of colors near my watercolors. This palette compliments the flowers nicely, organic flowers shapes near geometric squares.
More on Painting Flowers
I am reading Painting Flowers in Watercolor with Charles Reid, a classic in the watercolor book world. Two ideas that I look forward to incorporating in future watercolor floral sketches or paintings:
1) Pay attention to negative shapes that the flowers make almost as much as to the flowers themselves. Do not overwork the details. Paint the background along with painting the flowers. The background should not be an after thought.
2) When painting the background, don’t do one solid expanse of one color. Do a variety of color in a mix that compliments whatever flowers one is painting.
Charles Reid uses a lot of cadmiums in his palette (Cadmium Yellow, Cadmium Orange). I will substitute colors in my palette, probably Hansa Yellow (light, medium, or dark) and New Gamboge. One exercise is to paint daffodils. Another is techniques for white flowers. Daffodils and magnolias are in bloom now. Hopefully, I will be able to experiment with his ideas.
It is now the Jewish month of Nissan. In Nissan we celebrate freedom on Passover. We are also commanded to say blessing on a fruit tree when it shows its first blossoms. I will be looking around my neighborhood for all kinds of blossoms for blessings and for sketches.
The Jewish Book Carnival is a monthly event where bloggers who blog about Jewish books can meet, read and comment on each others’ posts. The carnival was started by Heidi Rabinowitz and Marie Cloutier to build community among bloggers and blogs who feature Jewish books.
On her blog, Book Q&As with Deborah Kalb, Deborah interviewed the editors of the new book The Ones Who Remember: Second-Generation Voices of the Holocaust.
Reuven Chaim Klein reviews four books on his blog The Rachack Review: Disputed Messiahs: Jewish and Christian Messianism in the Ashkenazic World during the Reformation, Moshe Emes: Torah and Science Alignment, Kabbalah and Sex Magic: A Mythical-Ritual Genealogy, and Understanding the Alef-Beis: Insights into the Hebrew Letters and the Methods of Interpreting Them.
Please read Howard Lovy’s interview for Publishers Weekly with Danica Davidson, co-author of I Will Protect You: A True Story of Twins Who Survived Auschwitz: Authors Bring Holocaust Story to Young Readers.
On gilagreenwrites, Gila interviews author Avner Landes about his debut novel Meiselman: the Lean Years.
Why is the Hebrew Bible different from all other Bibles? In April, Jill at Rhapsody in Books reviewed “The Grammar of God” by Aviya Kushner in which Kushner answers this question in a fascinating analysis.
Every day in May, Heidi Rabinowitz will post #JewishAmericanHeritageMonth daily kidlit book recommendations at the Facebook page Book of Life, featuring Jewish books from across the United States.
The Book of Life Podcast’s May episode features an interview with Dayna Lorentz, author of Wayward Creatures, a middle grade contemporary novel told in two voices: a troubled Jewish boy and a wayward coyote.
On her My Machberet blog, Erika Dreifus routinely compiles news of Jewish literary interest. Here’s one recent post, expanded for #JewishAmericanHeritageMonth and other notable May occasions and including a special Yom HaZikaron/Yom HaAtzmaut giveaway that continues through May 18.
At Jewish Books for Kids and More, Barbara Bietz interviews author Betsy R. Rosenthal about her new middle-grade novel, WHEN LIGHTNIN’ STRUCK.
Life Is Like a Library reviews Ayelet Gundar Goshen’s Waking Lions:
A Jewish Grandmother read a couple of young readers on Jewish themes from Kar-Ben Publishing and was happy to be able to give great books to a granddaughter. The Button Box by Bridget Hodder and When Lightnin’ Struck by Betsy R. Rosenthal both have wonderful stories with interesting Jewish themes, They both give some background on Spanish Jewry, which isn’t known by many people.
A Jewish Grandmother also reviewed Dear Cousin a great book with a strong moral message. It’s a very well-written eulogy/memoir by Elchonon Boruch Galbut about his cousin Brian Boruch Tzvi Galbut.
Bubby has been writing a series of posts on World War II and God’s role in Jewish history. The latest is called All the World is a Hidden Purimspiel. The plan is to put the posts together into a book.
Why do art? And how does one get inspiration? For the first question, I will quote Aleksandr Solzhenitsyn at the end of this post. For the second, I will describe the process of how I created this watercolor.
I painted this watercolor in response to reading about Plague Number One: blood. How does one depict a bloody river Nile? A while back, I painted a dull straight river of blood. I wanted something more watery. I looked at paintings of Winslow Homer and J.M.W. Turner. Both are known for their water scenes. I happened upon a small museum book of Japanese paintings that belonged to my mother z”l. The covered showed an egret (at first, I thought it was a stork — I need to improve my birdwatching skills) bathing in a body of water. Actually, there are two egrets in the scene. I just focused on the right side. The reeds kind of look as how I would imagine greens growing next to the Nile might look. And my friend later told me indeed egrets are found in Egypt.
When I do biblical art, I recently started adding a snippet from a pasuk (a phrase of Torah) to the side of the art. Here is another version of this painting, one that cites the plague of blood:
Parshat Vaera, Shmot 7:21 “and the blood was throughout all the land of Egypt.”
Quotes from Aleksandr Solzhenitsyn’s 1970 Nobel Lecture
Who was Aleksandr Solzhenitsyn? Aleksandr Solzhenitsyn was born in 1918 in Kislovodsk, Russia. In 1945 he was arrested for criticising Stalin in private correspondence and sentenced to an eight-year term in a labour camp, to be followed by permanent internal exile. The experience of the camps provided him with raw material for One Day in the Life of Ivan Denisovich, which he was permitted to publish in 1962. In 1970 he gave a lecture upon receiving the Nobel prize, and the main topic was art.
Not everything can be named. Some things draw us beyond words. Art can warm even a chilled and sunless soul to an exalted experience. Through art we occasionally receive–indistinctly, briefly–revelations the likes of which cannot be achieved by rational thought.
Later in the lecture:
But who will reconcile these scales of values and how? Who is going to give mankind a single system of evaluation for evil deeds and for good ones, for unbearable things and for tolerable ones–as we differentiate them today? Who will elucidate for mankind what really is burdensome and unbearable and merely chafes the skin due to its proximity? Who will direct anger toward that which is more fearsome rather than toward that which is closer at hand? Who could convey this understanding across the barriers of his own human experience? Who could impress upon a sluggish and obstinate human being someone else’s far off sorrows and joys, who could give him an insight into magnitude of events and into delusions which he has never himself experienced? Propaganda, coercion, and scientific proof are equally powerless here. But fortunately there does exist a means to this end in the world! It is art. It is literature.
Source: The Solzhenitsyn Reader, edited by Edward E. Ericson, Jr. and Daniel J. Mahoney
This week a mourning dove was wandering about my front yard. Instead of grabbing a camera and photographing the bird, I took my watercolor sketchpad (Travelogue Artist Watercolor Journal) and used a pencil and pen to draw the bird. I took it back in the house, added a little watercolor to the bird, went back out again to examine the mourning dove carefully. Yes, it did have those spots toward the tail. Yes, they were a shade of darkish gray. Yes, the beak was also darkish gray. Later I looked in my Birds of New Jersey Field Guide by Stan Tekiela and learned more:
Name comes from its mournful cooing. A ground feeder, bobbing its head as it walks. One of the few birds to drink without lifting head.
The one in my yard seemed to have a longer beak than the one pictured in the book.Also, I did not see the bright color in the head that Stan Tekiela showed in his photo. Adding a bit of lavender did seem to match the bird that I saw. However, as an artist one could also say using lavender was artistic license for either shadow or for gradations of hue or saturations.
Do you see birds in your yard? Do see distinguishing marks on the birds, whether color, spots or types of feathers?
This writing desk used to belong to my mother z”l. My husband expressed some satisfaction when I he saw me use it one day as an actual desk. I was using it to address a few bat-mitzvah invitations. Which brings me to my next topic: blogging breaks. It seems that Purim stretched into pre-Pesach cleaning which then became Pesach and then a few busy work deadlines. Without strong intention I took a bit of a blogging break. I suppose ideally one should say, hello, I am taking a blogging break, but usually life is too busy for that sort of thing. Until after the bat-mitzvah I should just not plan on blogging very much. When it gets really hot in July, then I can get into the blogging swing again (I hate the heat and prefer air conditioning).
About the desk: my mother used to use it to write letters and organize recipes. I wish I had her collection of recipes – I assume it got thrown out at some point. The desk is quite fragile and is falling apart in pieces. I told the movers (we moved it from my father’s apartment after he died) that this was the last time the desk was moving (they didn’t want me to blame them for the broken pieces, and I don’t). But if my daughter gets attached to it, maybe it will move again. Who knows.
I was planning to write a post called Burning Bread and other Pesach Adventures. I have a great photo to go with that post. I’ll keep it in mind – maybe someday it will show up. My daughter was the Genie in a recent Highland Park Recreation production of Aladdin – if I had the energy, time and ideas, I might have posted about that. She was hilarious. Catch the next show on July 4th in Donaldson Park – no idea what that production will be.
I wish I were back doing watercolors – but too much else to do right now. Maybe in the summer? We’ve been having a gorgeous spring – it is quite therapeutic to go for a walk.
On My Blog (Review of March and April 2014)
I highly recommend the book Like Dreamers: The Story of the Israeli Paratroopers Who Reunited Jerusalem and Divided a Nation by Yossi Klein Halevi. I would write a review, but I returned the book to my brother-in-law. I will just say this: it’s hard enough to write a biography of one person. Yossi Klein Halevi portrays quite a few varied people in this easy-to-read and engaging book.
Lorri is my mentor when it comes to writing book reviews. Read her review of Last Train to Istanbul.
Over to You, Dear Reader
How do you handle needed blogging breaks? Is there anything in particular you might say to your audience? Have you ever gotten attached to an old piece of furniture?
Welcome, Adam! Readers, enjoy this interview with Adam Gustavson, illustrator of the award-winning children’s book Hannah’s Way; the interview is part of the Sydney Book Awards Blog Tour.
Description of the book: After Papa loses his job during the Depression, Hannah’s family moves to rural Minnesota, where she is the only Jewish child in her class. When her teacher tries to arrange carpools for a Saturday class picnic, Hannah is upset. Her Jewish family is observant, and she knows she cannot ride on the Sabbath. What will she do? A lovely story of friendship and community.
How did you decide how Hannah should appear? her family? the scenery? Did you do research on the period’s clothing and style?
That a good question. Before I even picked up a pencil, I immersed myself in images of people from the 1930s. I looked at as many ancestry web sites as I could and thumbed through books of costumes and period photography. I also dug as far into Orthodox Judaism as I could, just trying to make sure the family in the book didn’t fly in the face of some hidden clause from Leviticus that I didn’t know about.
I looked at lots of sale items on ebay, trying to keep in mind that the era a story takes place in isn’t really the era of the stuff in it, it’s the cut-off date for said stuff. The couches, the lamps, the architecture, all of that has to predate the story. And if someone in the story is dressed in hand-me-downs, well, now we’re looking at fashion from the late ’20s…
As far as the characters themselves, I rely as much as I can on instinct. Granted, I research hairdos and ethnic bone structure and think about people I know or have known that fit a temperament or demographic, but one of the really important aspects of being able to draw the same person, active and emoting for 32 pages, is to really believe that they’re the right person for the job.
How did you team up with the author, Linda Glaser?
Illustrating books is a sort of funny thing; the whole affair is orchestrated by the publisher, so as it was Joni Sussman at Kar-Ben who contacted me about illustrating the Hannah’s Way.
What inspired you to become an artist?
I’ve always drawn; my mother was an artist when I was growing up, and my brothers and I drew like most other kids would play ball. It was a big part of how we played together. My father, an engineer, used to come home with art supplies he’d picked up for us on his way home from work. I grew up in the only household for miles and miles where a crisis consisted of my mother trying to find out just who took her kneaded eraser.
When I went to college, the toss up for me was between becoming an artist or becoming a musician. So again, I was pretty much the only person I knew who went into art because it was the more practical choice.
There are two things I’d say; the first and foremost is to draw everything all the time. The way I put it to a student recently was that if what you really want to draw is Spiderman, at some point you’ll have to figure out what kind of furniture Aunt May has in her living room. A big part of making art is experiential, which is to say you don’t really know what something looks like until you try to draw it, and really explore it in your drawing.
Another important aspect is to be influenced by things that aren’t specifically what you want to do. This goes for technique, subject matter, and high falutin’ compositional stuff. A high profile example of this idea at work is in Van Gogh’s love of Japanese woodcuts, and the way that it translated into how he used paint, but it exists to some degree almost everywhere.
What projects are you working on now?
I’ve just finished a really sizable project for Holt’s Christy Ottaviano Books imprint, called “Rock and Roll Highway: The Robbie Robertson Story,” written about the co-founder of the Band by his son, Sebastian Robertson. It involved over thirty oil paintings and real life protagonist that had to age about 30 years in the course of the narrative, which was a bit of a challenge. You seem like you have worked on many books and illustration projects – which were your favorites?
My two all time favorites have been Leslie Kimmelman’s “Mind Your Manners, Alice Roosevelt!” and Bill Harley’s “Lost and Found,” the latter of which just came out this past fall. From a concept, design and storytelling perspective (the Alice Roosevelt book was very research heavy, to boot), both projects had a lot of freedom involved and called for a really dynamic range of images. Any project that calls specifically for a 1904 Studebaker or leaves room for a stuffed flying badger can’t be all that bad. Can you tell us a little about the zombie project? How did you get involved in that one?
(see http://adamgustavson.blogspot.com/2012/11/what-do-pete-mitchell-bryan-ballinger.html)
I was invited by illustrator Bryan Ballinger, a friend of Pete Mitchell, a cartoonist and the singer for the band No More Kings, to participate in an anthology of zombie comics, which was an impossible thing to say no to. The idea as I understood it was to have the book available for release at the same time as the band’s latest album.
I batted around several ideas over the course several months before writing up a conversation between two undead companions, one of whom was having an existential crisis.
What is the hardest part of illustrating a book? What part is the most rewarding?
The hardest part is not the “getting started” part, having 32-40 blank pages staring back from a computer layout, though sometimes it seems like it could be.
The hardest part for me is the part I call Page 28 Syndrome: being in the home stretch of something that has been lived with for six to nine months, and putting finishing touches on that scene that every book has that happens right after the conflict is resolved but the story hasn’t ended yet. It feels like 101st mile of a 100 mile run, where instead of running you’re just consciously lifting your knees to get to the end, and trying not to trip. That right there, that’s the hardest part.
The most rewarding part for me was always the moment before a project was shipped off the the publisher, looking at everything spread out on the floor in order.
But truthfully, grade school appearances are really the thing that does it now. The whole process of making books can be so isolating, so much about high minded professional practices done in a cave, that it’s not hard to lose sight of who these things are really for. Wandering around among actual humans ‹ preferably short ones ‹ with a book is really my favorite part.
And I think it’s a reminder of why that page 28 syndrome thing is important to get through. There are plenty of examples out in the world where adults cut corners or cheap out on things for children because they think their target audience won’t notice. And often they’re right. But that doesn’t really matter, does it? Children deserve better things than that, whether they’ll recognize it or not.
The worst thing we can do as people in the creative class is willfully accustom our audiences to mediocrity.
Friday afternoon right before candlelighting and who comes to visit but three deer? One quickly hopped the fence when he saw us, but the one in the front had a staring contest with my husband and then with me. The deer finally jumped over the fence to depart when I danced back and forth with my camera. My husband said it looked the deer might pounce on us.
I am pleased to announce that I will be part of a tour of Sydney Taylor Book Awards. See the schedule:
MONDAY, FEBRUARY 11, 2013
Ann Redisch Stampler, author of The Wooden Sword
Sydney Taylor Honor Award winner in the Older Readers Category
At Shelf-Employed
Carol Liddiment, illustrator of The Wooden Sword
Sydney Taylor Honor Award winner in the Older Readers Category
At Ann Koffsky’s Blog
Doreen Rappaport, author of Beyond Courage: The Untold Story of Jewish Resistance During the Holocaust
Sydney Taylor Honor Award in the Teen Readers Category
At Bildungsroman
TUESDAY, FEBRUARY 12, 2013
Linda Glaser, author of Hannah’s Way
Sydney Taylor Book Award winner in the Younger Readers Category
At This Messy Life
Adam Gustavson, illustrator of Hannah’s Way
Sydney Taylor Book Award winner in the Younger Readers Category
At Here in HP
Louise Borden, author of His Name was Raoul Wallenberg
Sydney Taylor Book Award winner in the Older Readers Category
At Randomly Reading
Deborah Heiligman, author of Intentions
Sydney Taylor Book Award winner in the Teen Readers Category
At The Fourth Musketeer
WEDNESDAY, FEBRUARY 13, 2013
Sheri Sinykin, author of Zayde Comes to Live
Sydney Taylor Honor Award in the Younger Readers Category
At Read, Write, Repeat
Kristina Swarner, illustrator of Zayde Comes to Live
Sydney Taylor Honor Award in the Younger Readers Category
At Writing & Illustrating
THURSDAY, FEBRUARY 14, 2013
Linda Leopold Strauss, author of The Elijah Door
Sydney Taylor Honor Award in the Younger Readers Category
At Pen and Prose
Alexi Natchev, illustrator of The Elijah Door
Sydney Taylor Honor Award in the Younger Readers Category
At Madelyn Rosenberg’s Virtual Living Room
About the Tour: The Sydney Taylor Book Award will be celebrating and showcasing its 2013 gold and silver medalists and a few selected Notables with a Blog Tour, February 11-15, 2013! Interviews with winning authors and illustrators will appear on a wide variety of Jewish and kidlit blogs. For those of you who have not yet experienced a Blog Tour, it’s basically a virtual book tour. Instead of going to a library or bookstore to see an author or illustrator speak, you go to a website on or after the advertised date to read an author’s or illustrator’s interview.
Crayon drawing inspired by the exercise A Child Could Do This
Book Review: One Drawing a Day
I took a wonderful book out of the library called One Drawing a Day. The book, written by artist Veronica Lawlor with the help of other artists, has over 42 drawing exercises, some color, some not, some outside, some for at home. I soon discovered that there was no way I was going to keep up with a drawing every day, so I am trying to content myself with one drawing per week, as the title of my post suggests.
There is an accompanying blog to go with the book, also called One Drawing a Day. However, it seems to be examples of drawings as opposed to more exercises, so if you want the exercises, get the book. I may just need to purchase the book, because there is only so many times I can take it out of the library.
The exercise on the top was done with children’s crayons. It is called a Child Could Do This – you are actually supposed to ask a child for suggestions. I just sorted out some of my daughter’s crayons and used those. Scribble and make shapes a kid would make was part of the suggestion.
Below is a sketch of a family member on the computer:
You are supposed to concentrate on the person you are observing and not spend all your time staring at your paper. I did the sketch with a drawing marker.
This was the very first exercise in the book, observing objects in one’s home:
The flower was actually a design on our sofa cover. What objects do you see?
The Jewish Book Carnival for January is up on the Association of Jewish Libraries blog. Thank you for including my review of Jews in Gotham – it turns out that the series (a three volume set on the history of the Jews of New York) won Jewish Book of the Year.
Lorri reviewed a book by Aharon Appelfeld called Until the Dawn’s Light. Appelfeld is a prolific writer, and his words are always well-chosen. Years ago, I heard him speak in person. His topics are not easy ones.
Rayna Eliana is often reviewing books that I would like to read, and here is one: Review – The Island Within (three generations of a Jewish family as their lives lead them from Vilna, Lithuania to America).
Ilana-Davita reviews The Pity of It All (informative account of German Jewish history from the arrival of Moses Mendelssohn in Berlin to Hitler’s being appointed chancellor).
I bet my husband would love this Lemon Pie. Oh, my daughter might enjoy it, too. By the way, I’m hosting the next Kosher Cooking Carnival (submit your posts here).
